We continued our series of museum outings with today’s visit to the Morgan Library and Museum for “She Who Wrote,” an exhibit of Mesopotamian artifacts focused on the role of women in these bronze-age civilizations. Continue reading Museum Visit: Bronze Age Mesopotamia
Today we visited the “Ritual and Memory” exhibit at the
Institute for the Study of the Ancient World.
Although I’ve been summarizing the exhibit as focusing on the “Bronze Age Balkans,” the artifacts on display covered a wider range of time, from the Copper Age through the Iron Age, and of space, from the Balkan mountains to the Carpathian mountains. Continue reading Museum Visit: Bronze Age Balkans
Alienor and I ventured out today to see the “Threads of Power” exhibit at the Bard Graduate Center Gallery, exploring the development and social significance of lace, including examples of needle and bobbin lace from the sixteenth and early seventeenth century, courtesy of Switzerland’s Textilmuseum St. Gallen.
Although the fabric examples were impressive, the thing that particularly caught my attention were a few fifteenth- and sixteenth-century examples of “pattern books” — printed collections of designs to be used as source material by people working with fiber and fabric. Continue reading Museum Visit: Pattern Books
For Halloween this year, I composed a bit of doggerel entitled “The Ghastly Province, or Samhain in Østgarðr,” which owes an obvious debt to Edward Gorey’s The Gashlycrumb Tinies.
Lady Zahra de Andaluzia did a lovely job of laying it out for inclusion in the Provincial newsletter, and Lady Kunigunde Wedemann was kind enough to contribute an original illustration which tied into the theme; I thank them both for making my silliness look presentable, and for allowing me to share the results here.